DA Workshop: The Essentials of Typography with Nicole Arnett Phillips, 28th May 2017, Christchurch

5 years ago by

Join Brisbane-based type designer Nicole Arnett Phillips aka TypographHer, for this full-day, hands-on typography workshop in Christchurch:

The Essentials of Typography – Everything about type that you didn’t learn at school!
Sunday, 28th May
ARA, Institute of Canterbury
Studio: D219
130 Madras St, Christchurch

$350 Professional / $250 Design Assembly Friend / $150 Design Assembly Student Friend

(Not a DA Friend? Click here for details on how to sign up.)

Eventbrite - Overview of digital for designers 2017

Refreshments from Atomic Coffee and Serious Popcorn. Thanks Guys!

I attended Auckland University of Technology, and our curriculum was broad. We had an introduction to typography, its historical context, pairing typefaces and the fundamental geometry of the major type classifications — barely scratching the surface of type as a discipline.

At the time (15+ years ago) design schools were moving away from drawing (and making) toward more fast-paced, digital production practices, so I soon realised that I needed to create a personal investigative practice that trained my eye, developed my hand, and nurtured my curiosity for the mechanics of typography. I began interrogating letters (and typefaces) hoping to unlock their dirty little secrets. My method of visual research was tactile and analogue. I would draw, trace, and scale characters, rotate and reverse them, crop them and recreate them.

This craft based learning (after graduation) was where my type education began. Analogue craftsmanship demands you to be resourceful and clever, I value the freedom that comes from working slow, with my hands, and without the safety net of {cmd+Z} to undo. Crafting and interrogating letterforms in this way is the best medium to learn the finer details of typography, lettering and type design.

In this one day workshop I will share some of what I have learned as well as my techniques for interrogating, drawing (and learning) about type. We will explore all the things you didn’t learn about type design and typography at school, using craft to unlock type’s dirty little secrets.

Learning Outcomes:

  • Exploring the origins, anatomy, and vernacular of typography.
  • Understanding recognition, legibility, archetypal forms, and the visual logic of typography.
  • Using varied techniques for creating typography by hand.
  • Gaining insight into the maths (geometry) and magic (common optical illusions/adjustments) used in typography.
  • Participants will also deepen their understanding of typographic tone, what sounds look like, and the relationship between visual and verbal language.



Up Next...

Three Takeaways from Webstock 2017

Written by Shane O’Connell, Pixel Fusion What is Webstock? It’s much more than a conference, it’s a community of people that welcome you with open arms. The team behind Webstock; Natasha Lampard, Mike Brown, Deb Sidelinger, Ben Lampard, and Charles Bird pour their hearts, feelings and passion into making sure the event is successful, entertaining, and…

More from 'Graphic Design'...

Te Hoahoa Hou: Finding New Zealand Design

Written by Johnson Witehira The history of design has been shaped by the European lineage of art and design. This has its origin in Greek and Roman art, with European notions of beauty carried through the ages. From the golden ratio, to the accepted aesthetics of a landscape painting — even now, this drives the…